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四川地方曲种。早期曾称“渔鼓洋琴”，因表演中以洋琴为主要伴琴乐器而得名。中华人民共和国成立后改为现名。主要流行于成都、重庆、泸州、自贡等城市。约形成于清乾嘉年间（1736年-1820年）。其表演方式为五人坐唱，击扬琴者前排居中，小三弦在左侧，鼓、板、梆子由一人司职居其右，后排为京胡和二胡。演员自弹自唱，夹以说白。女角色常由男性反串，演唱时采用假嗓。男角色则真、假嗓结合。男演员分生、旦、末、丑，发声各具特色。女演员有特殊的润腔手法哈哈腔。唱本类似小戏曲剧本，唱词有7字、10字句。音乐分省调和州调。省调流传在以成都为中心的川西平原，州调分布于川南及川东、川北部分地区。传统曲目约300余段，多取材于历史故事，如《华容道》、《清风亭》、《活捉三郎》、《秋江》等。。
Sichuan Dulcimer came into being in the middle Qing Dynasty (1736-1820 A.D). It gets the name because the dulcimer is the main accompaniment instrument when the actor sings. It’s very popular in Chengdu, Chongqing, Luzhou and Zigong. When presented, the dulcimer player sits in the middle of the 1st row, the trichord and clapper players sit to the right and left side respectively. The fiddle player sits behind. The actors talk and sing accompanied by these instruments. Usually there are male, female, painted faces and clown roles in the performance. There are roughly 300 traditional programs in Sichuan Dulcimer, most of which based on famous historical stories and events |
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